My friend Jackie Keswick has a new MM epic fantasy romance out: Healing Glass.
A dying city.
An ancient, forgotten accord.
And two gifted men caught in a web of greed and dark magic.
Despite belonging to different guilds, glass master Minel and warrior captain Falcon are friends. Their duties keep them apart, but when Minel falls ill and chooses death rather than the only known cure, nothing can keep Falcon from his side.
As their friendship grows into more, old wrongs and one manâs machinations threaten the floating city and leave both Minel and Falcon fighting for their lives. Can they learn to combine their gifts to save the city and its magic, or will everything they know and love perish before their eyes?
Healing Glass is an LGBT fantasy adventure with its head in the clouds. If you like medieval backdrops, impressive world-building, three-dimensional characters and a touch of magic, then you’ll love Jackie Keswick’s socially-conscious adventure.
Buy Healing Glass to visit the floating city today!
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Guest Post
Thank you very much for hosting me today, Scott! And for giving me the chance to talk about my latest release, Healing Glass, a fantasy novel about a glassmaker, a warrior, and a floating city.
For a long time, Healing Glass felt like the never-ending project, because every time I sat down to finish it, I got distracted by politics. I live in the UK and in 2016 we held a referendum to decide whether we wanted to remain a member of the European Union or leave and strike out on our own. Ever since, the country has been tearing itself apart, and whether I wanted to or not, those debates coloured how I was writing Healing Glass.
One of the points still being debated three years later is whether the referendum result is really the âwill of the majority.â Because not everyone will turn out to vote, any election win is based on the view of the majority of the people who turned up and voted. And the people who didnât vote have to live with the election result and the impact that will have on their lives.
Something similar happens in Healing Glass. After they settle into the floating city, the craft masters find that a) most of them want to work on their craft rather than administrate the city and b) a lot of their non-gifted family members like living in the city and need something to do.
So⌠someone has the bright idea: why not create a city council, staff it with non-gifted people who have admin skills and make them look after the city and the business interests of the Craft Guild. Win-win and fool proof to boot, right?
Maaaybe not⌠because what happens if the interests of the council and the interests of the Craft Guild no longer march in step? What happens when one tries to rule over the other? And what happens if the city itself disagrees?
Excerpt
Half a mile above the surface, a deep, rumbling groan rattled through Favinâs bones and turned his guts to water. The elevator jerked and shudderedâlong enough for Favin to wonder whether heâd left his errand too lateâbefore it resumed its stately progress up towards the floating city.
The groans and jerks came more often these days, on almost every journey. Despite the trickle of ice-cold fear, Favin welcomed the noise and stuttering ascent. Heâd raised the alarm weeks earlier, but no one had believed the word of a servant. No one but Councillor Teak, who now clung to the transparent wall on the far side of the elevator, face grey and eyes wide.
The City Council would believe Teak.
âIs… this… why you wanted me to accompany you?â Teak spoke louder than necessary in the tight confines of the chamber bearing them aloft.
âYes, Councillor. I reported it several times, butââ Favin stopped, loath to criticise the council. âI felt you had to know whatâs happening.â
Teak, resplendent in a well-cut black coat and lace cuffs under his scarlet robe of office, didnât belong in an elevator filled with rows of stacked crates, bins of cloth, and rolls of parchment, even when Favin hadnât packed the space as full as he usually did. The councillor didnât need the experience of a full cargo run, of squeezing into a gap just large enough to get in and out of. Never mind that he wouldnât have fit. The servants joked that were the councillor hollow, one of them could fit inside his frame with space to spare.
Teak enjoyed his food as much as he enjoyed his status and privileges, but he hadnât lost all sense of his responsibilities. When Favin had asked for his help, heâd only grumbled a little before agreeing to investigate the matter. Now here he stood, pressed against the transparent wall, gaze riveted to the crate in front of him, not daring to look down.
Favin watched the sea and the sky over Teakâs shoulder, wishingâas alwaysâ that he could see the city as they made their way towards it. The freight elevators didnât allow for such a view, and Favinâs work rarely left him the leisure to sit on the beach.
Four levels of squat glass tiers and elegant spires connected by sweeping stairs and graceful bridges, suspended high above the waves by a raft of near-invisible columns… the floating city had stood waiting at the edge of the ocean when the Craft Guild arrived in need of shelter. Nobody knew its builders. Nobody quite understood how it worked. The city kept its occupants warm and dry, the glass walls closing or receding depending on the weather. Fountains supplied water in every square, and in all the buildings. The middle tier of the cityâa wide, level space between the double-story, flat-roofed dwellings of the lower level and the skyward-reaching spires of the top tierâhad been given over to growing food. All other goods the inhabitants needed came via the trade guilds and the Merchant Guild. The craft masters could have anything that fit into one of the eight large elevators, whether it came by land or sea, while men like Favin ensured the goods arrived where they were needed.
The groan came again, more of a pained shriek now, like the death cry of a material used too long and too well, as an abrupt slip downward hurled both Teak and Favin to their knees.
Then the sounds stopped.
The downward movement stopped.
And the elevator resumed its unhurried climb.
Sweat pearled on Teakâs brow and upper lip by the time the transparent cabin reached its goal. âCan we… not use this elevator?â He stepped off the floating disk before he turned to ask.
âIt will delay deliveries, Councillor.â
âHow many journeys do you make in a day?â
âSome days as many as fifty.â
âAnd the noise and the… jerking… have been getting more frequent?â
âYes. Iâm told the other elevators show the same signs of trouble. And in the upper city, the glass is said to be weeping.â
âWeeping?â
âThatâs what Iâve heard, Councillor. Iâve not seen it.â
âNo, of course not.â Servants of Favinâs class had no access to the upper levels. âThank you, Favin, for bringing this to my attention.â
Favin bowed to the councillor before he set about unloading the cargo into the hands of the waiting servants. The council would decide whether to shut down the elevator or keep it running. Heâd done as much as he could do, given his station. Heâd said his piece and had had a councillor listen.
He continued with his work, until words drifting through a half-open door stopped him on his way to deliver rolls of parchment and ink to the council chamber.
âWeeping is the only way to describe it, Wark. Iâve never seen anything like it.â
âAnd you think itâs going to be a problem?â The clipped tones were the regentâs and Favin froze where he stood, listening.
âOf course, itâs a problem,â Teak argued. âGo and see for yourself if you donât believe me. Thereâs liquid glass welling up out of the column and trickling down its length. What do you think will happen if the glass wears away doing that? Or if the whole column turns to liquid? Will it continue to support the upper level in that state, or will it run into the sea and disappear?â
âCalm yourself, Teak. Iâm sure thereâs no need for panic.â
âYou would know, of course.â Teak said snidely. âBut I say you should listen. Thereâs more than one of those weeping spots in the upper city. The freight elevators jerk and groan, and servants are buying out their contracts, happier to make a life elsewhere than work here.â
Then it is serious, Favin thought, glued to his spot. More serious than I knew. Positions with one of the three gifted guilds were hotly sought. Only the kingâs court paid better wages, and with the high prices in the royal city and port of Allengi, those wages didnât go nearly as far.
âWe must deal with this, Wark. Before it is too late.â
âRepairs to the cityâs fabric are the task of the glass master. I will make sure he attends to the problem.â
âMinel is an outstanding craft master.â Teak bristled as if he had heard something in Warkâs comment that Favin had not. Something he disagreed with. âMost sought after, despite his youth. His list of commissions is near endless and he earnsââ
âThere are no other glass masters in the guild. Minel is our only choice if we want to fix the problem youâve brought to my attention.â Regent Wark sounded oddly gleeful.
âNo. You canâtâ What ifâ?â
âYou canât have it both ways, Teak. You canât bring me a problem and then object when I solve it. Minelâs work and his designs pay a large part of the cityâs debts. Iâm not so stupid Iâd interfere with that. But if the fabric of the city fails, all the money and favours weâre owed will be no use to us. Itâs fortunate that Minel cares about nothing but making glass. He doesnât have the stomach for confrontation. I think… I think this will work out very well. Minel will accept that we direct his work and we can add another treasure to our collection. I have waited long enough.â
Author Bio
Jackie Keswick was born behind the Iron Curtain with itchy feet, a bent for rocks and a recurring dream of stepping off a bus in the middle of nowhere to go home. She’s worked in a hospital and as the only girl with 52 men on an oil rig, spent a winter in Moscow and a summer in Iceland and finally settled in the country of her dreams with her dream team: a husband, a cat, a tandem, a hammer and a laptop.
Jackie loves unexpected reunions and second chances, and men who don’t follow the rules when those rules are stupid. She blogs about English history and food, has a thing for green eyes, and is a great believer in making up soundtracks for everything, including her characters and the cat.
And she still hasn’t found the place where the bus stops.
For questions and comments, not restricted to green eyes, bus stops, or recipes for traditional English food, join her in Jackieâs Kitchen on Facebook or find her in all the usual places:
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